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feels like a plea for a post-apocalypse that simply made a wrong color choice for its dystopia
but never quite disappear
What makes San Francisco Street special is its universal banality: everyone has stared at a traffic light that wouldn’t turn green
Three for Joy is a deeply personal painting rooted in family
Size: 35x25cm/14"x10"
Hell's Gate, Death Valley, California, 2000 portraiture feels like a plea forHell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley shortly after rainfall. This artwork is a limited edition of 25, gloss photographic print, dry mounted to aluminium, it is presented in a museum board white window mount and a choice of black or white box frame fitted with anti reflective UV70% glass. It is signed and
