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Different identifications have been proposed for the aristocratic sitter
The panel painted for a luxurious domestic setting
The level of detail is very varied: Ruskin has focussed on the third ground-floor arch from the right
The tall building on the left was converted into Pissarro's studio when he bought the property in 1892
both in oils and watercolours
Love scene on a terrace at night Frame:gold Different identifications have been proposed
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