Black Study No. 1 ocean but equally freewheeling – unexpected

but equally freewheeling – unexpected combinations of muted Brutalist hues

but as systems through which personal and cultural narratives become visible

The work unfolds like music in motion—layered

Below The Waterline is a series of abstract photographic images shot throughout the UK and further afield

The blue teal colour blocking

Black Study No. 1 ocean but equally freewheeling – unexpectedA study of form, structure and surface, using layered construction and subtle tonal variation to create a quiet physical presence. The painted frame forms part of the work itself, blurring the boundary between painting and object. Oil on Wood Panel32 42 cms Framed