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Together with A 565
shows Mme Pissarro sewing in front of a window in their home at Pontoise
Allori was a pupil of Bronzino and shares his ideal of polished refinement in portraiture
Oxford Almanack for 1808
Duke of Urbino
Acme and Septimius WA2016.48 Together with A 565The subject of this scene of idyllic love is taken from Catullus, Carmine XV. Both the round shape and composition are indebted to Raphael's Madonnas. The background includes the rose, traditionally the symbol of love, and orange trees. When it was exhibited at the Royal Academy in 1868, it was praised by critics, who noted with approval Leighton's chaste treatment of the scene.
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